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Australia in the 1850s. Daniel Morgan, like hundreds of other ex-patriots from the British Isles (he is from Ireland), has come Downunder to seek his fortune. There is a gold rush going on, and Morgan wants to strike it rich. As fate would have it, Morgan soon finds himself on the other side of the law, broke and desperate. A single act of highway robbery gets him 12 years of hard labor. While in prison, he is systematically abused. Upon release, Morgan vows revenge on those who wronged him. With the help of an aborigine named Billy, and a growing legend of audacity, Morgan soon becomes a hero. The locals love him, while the wealthy and powerful fear his influence. They want this outlaw dead or alive, and will stop at nothing to see that their sense of justice is done. But Morgan only wants those to pay for the crimes they have committed, to recognize that he wasn't always a bushranger - he was made into one. It wasn't only his mind that made him bad. It was society that turned him into Mad Dog Morgan.
The true story of Irish outlaw Daniel Morgan, who is wanted, dead or alive, in Australia during the 1850s.
Philippe Mora&#39;s film has more often than not been categorized as a western but might as well be called a political drama. The central character, the famous bushranger Daniel &#39;Mad Dog&#39; Morgan becomes a bandit as a result of the harsh treatment the racist and unfair government doles out to the poor and ethnic minorities in Victorian Australia. The extremities of this injustice is made clear when a Chinese settlement is burned down -without there being any notable sanctions- while Daniel Morgan is locked up for six years for stealing some clothes. The victim of condoned rape and torture in prison, Morgan swears to revenge himself on society and becomes a sort of down under Robin Hood, much loved by the common people.<br/><br/>Those who love smooth Hollywood storytelling will not be entertained by the rambling structure of this film. However, there are moments of rough and ready poetry to be had for those who care to take a chance and watch something out of the ordinary. Morgan&#39;s friendship with Billy, a young aboriginal who saves his life and becomes his partner in crime, lends a strong, anti racist statement to the film which is quite unique. The script is very fragmentary, only dealing with the highlights of Morgan&#39;s career. Still, the sober treatment of the story and balanced portrayal of the bandit&#39;s growing frustration with the law and life itself, makes for compelling watching. <br/><br/>Dennis Hopper was never better than in this part. The transformation from excitable but honest and friendly Irish immigrant to desperate and saddened outlaw, hunted down by the police and tired of running, is minimally but very persuasively handled. Those of you who are familiar with the sentimental nature of the Irish, will recognize Hopper&#39;s truthful treatment of the character.
Unusual biopic of notorious Australian bush-ranger Daniel &quot;Mad Dog&quot; Morgan (played with animation by crazy-eyed Hopper), of Irish extraction who after witnessing a bloody massacre at a gold diggers site, flees into the Victorian countryside where he attempts a robbery, is captured, incarcerated and makes a lifelong enemy of sadistic trooper Bill Hunter. Following an early release for good behaviour, he&#39;s soon mistaken for a thief, shot at and left for dead. Aboriginal tracker (Gulpilil) finds, mends and befriends the affable if at times hot-headed Irishman and the pair go on to become the quintessential criminal duo, pillaging the countryside where Morgan becomes a champion for the battler, the bane of the establishment&#39;s fragile class structure.<br/><br/>Meandering tale is full of memorable scenes, picturesque landscape and quirky dialogue, but never quite gels the components homogeneously. The cast is superb with Hopper&#39;s erratic and at times dramatic characterisation nicely balanced by Gulpilil as his smiling, more at ease companion, Jack Thompson as a very serious-looking trooper, and Frank Thring as a brutal superintendent with a macabre legacy in mind. Graeme Blundell has a frivolous cameo as an Italian settler, while Liza-Lee Atkinson is sure to float your boat as a horny bar-maid starstruck by Morgan&#39;s wild-boy reputation.<br/><br/>Violent and sadistic (e.g. Morgan&#39;s sodomy in gaol), there&#39;s a Sam Peckinpah quality to the bloody executions, where the blood pumps and spurts out of gaping wounds like sauce from a squeezy bottle. Gory elements aside, there&#39;s also plenty of humour, particularly Morgan&#39;s delight when he hears of his &#39;up the establishment&#39; reputation from people he encounters while on the lam. It&#39;s a bit amateurish in parts, though it&#39;s difficult not to like and the ending&#39;s implied gruesome epitaph is both shocking and memorable.

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